#BlogTour! Mr. Perfect on Paper by Jean Meltzer

From the author of the buzzy THE MATZAH BALL, a pitch-perfect romcom about a matchmaker who finds her own search for love thrust into the spotlight after her bubbe outs her list for “The Perfect Jewish Husband” on live television.

Dara Rabinowitz knows a lot about love. As a third-generation schadchan, or matchmaker, she’s funneled her grandmother’s wisdom into the world’s most successful Jewish dating app, J-Mate. Yet, despite being the catalyst for countless Jewish marriages, Dara has never been successful at finding love. Oh, she’s got plenty of excuses—like running a three-hundred person technology company and visiting her beloved bubbe every day. But the real reason Dara hasn’t been on a date in three years is much simpler. Though she desperately wants to meet her bashert, and stand beneath the huppah, she is frozen by social anxiety.

All that single dad Chris Steadfast wants to do is give his daughter stability. But with the ratings for the TV news show he anchors in the gutter, and the network threatening cancellation, Chris’s career – like his life with Lacey in Manhattan -- is on the chopping block.

When her bubbe outs Dara's list for “The Perfect Jewish Husband” when they're guests on Chris's live show, Chris sees an opportunity to both find Dara her perfect match, and boost the ratings of his show. But finding Mr. Perfect on Paper may mean giving up on the charming—and totally not Jewish—reporter following Dara's nationwide hunt...

Doesn’t this sound great? Read on for an excerpt of Mr. Perfect on Paper!

1

“Now,” Dara said, glancing down at her watch. “If you don’t mind, we’re on a tight schedule here. I need to get out of here before the coming of Moshiach.”

With that, the entire room jumped into action. Dara took a seat at her vanity. Bobbi laid out the makeup palettes, flipping on two nearby lights to mimic the high-intensity light-ing of a studio. Simi took the clip out of her hair, allowing Dara’s thick black corkscrews to fall free around her shoulders.

Naveah moved to the center of the room, by the built-in island that housed an impressive array of shoes, and began unzipping the plastic packaging. Hanging the outfits up on a mobile rack, she worked hard to carefully display each item.

“Okay, we have three looks for you to choose from this morning.”

Dara analyzed her choices. There was an elegant pleated skirt and tight cashmere sweater. It was Jewy, which went with her brand, but possibly too Jewish for a nationally syndicated televised event that needed to appeal to a broad audience. She glanced over to her next choice, a pair of smart silk pants and a floral blouse. Finally, there was the casual tech look. A pair of tight blue jeans, Converse sneakers and a Patagonia vest.

“Number two,” Dara said.

“Fabulous,” Naveah swooned, hanging it up on the room divider screen.

Dara stepped behind the screen, tossed off her robe and changed into the outfit. After a few moments, she returned to the center of the room, taking her usual place in front of the full-length mirror to analyze the final look.

The black silk pants, cinched at the ankles, gave her more curves than usual. The dramatic blouse, made from the most luxurious of fabrics, was imprinted with stunning large white orchids. It achieved the right type of look for her interview. Professional yet feminine. Assertive without feeling aggressive. It was all the things she needed to accomplish as a powerful female executive—often held to a different standard than her male counterparts.

“What do you think?” Naveah asked, looking over her shoulder.

“It’s perfect.”

Everyone applauded. Dara sat back down at the vanity. Simi ran her fingers through her curls, while the rest of her staff gathered round, peering down at her with tablets and makeup brushes in hand.

“And what’s the look we’re going for today?” Cameron asked.

“Professional,” Dara instructed.

“Got it,” Cameron said, moving to pick out a pair of maroon heels. “A pop of color to go with all that black and white!”

“And the hair?” Simi asked.

“Just put it up.” She smiled. “A stylish bun, nothing too sexy.”

Bobbi and Simi began working on her hair and makeup. 

Meanwhile, Naveah pulled up a chair and turned on her tablet. “Now, I know you’re taking this afternoon off to be with your grandmother, so what do you need me to work on in your absence?”

“I sent you a list this morning.”

Naveah tapped on her screen. Moments later, she had the to-do list that Dara had sent her at four o’clock in the morning. “‘Grocery,’” Naveah said, reading the items aloud, “‘laundry, check with caterers for Yom Kippur breakfast, confirm travel for all executives attending October J-Mate sales conference, confirm all of Miriam’s oncology and radiation therapy appointments for September…’”

Dara was always making lists. Always trying to figure out how to turn her chaotic and extremely busy life into some-thing manageable and organized. In truth, her to-do lists, like her obsessive planning, helped her control her anxiety.

She was certain that her nonstop list-making drove every-one she worked with—including Naveah—straight-up meshugana. Janet had even once jokingly referred to Dara as the Good List Dybukk, a dislocated soul who appeared without warning and sprinkled to-dos on every person who crossed her path. Fortunately, as Dara paid her staff extremely well for their efforts, they kept the majority of their criticisms to themselves.

Dara heard the familiar refrain of an incoming Skype call. “Got it!” Naveah said, snapping at Cameron to grab Dara’s phone. “It’s Janet.”

Dara waved Simi away from her face. She asked everyone to give her a minute, and her entourage left the room. Dara waited for the door to shut firmly behind them before continuing.

“Good morning!” Janet beamed from her home office in Colorado.

“What time is it there?” Dara asked.

“Early.” Janet laughed. “You got the whole crew with you today, huh?”

“You know it,” Dara said, glancing at her half-done makeup in the mirror.

Just as Dara’s generalized anxiety disorder was well-known among those she worked with, so, too, was the fact that she genuinely despised all types of public appearances. Alas, that didn’t stop her from doing them. She had learned early on that selling herself on television, in interviews and on Instagram was a necessary evil. Everybody wanted a face, a real person to support, behind the brand. Over the years, Dara had de-vised all sorts of systems for handling her anxiety regarding these appearances.

“And how are you feeling this morning?” Janet asked, get-ting right to the point.

“Oh, you know me,” Dara said. “I’m only nervous for the three days before and the six days after…so in terms of the actual interview, I imagine it will go just fine.”

Janet laughed. “You’re going to do great, Dara.”

In truth, she always did great. She was a perfectionist, after all. She always had a plan and always said all the right things. She smiled in all the right places. She was never caught off guard, and therefore, never floundered. Though the glam squad and to-do lists may have seemed overkill to some, her obsessive-compulsive tendencies worked. Her business was thriving. Her reputation in tech, and the Jewish world, was flourishing, too.

“Like we already discussed,” Janet continued, “there shouldn’t be any surprises, okay? Everything has been worked out between our publicity people and their producers. You want to run through the script one more time?”

“No,” Dara said, firmly. “I got this.”

Janet nodded. “Then I hope you have a blast with your bubbe today.”

The camera shut off. Dara put her phone away, catching sight of her reflection in the mirror. Her hair had been ar-ranged into a sophisticated bun. Her angular features had been softened with light contouring. On the surface, she was the picture of poise and finesse. And yet, her hands were shaking.

She cracked her knuckles, took a sip of tea. She knew it was ridiculous, being this nervous about going on Good News New York, a show that nobody even watched…but she couldn’t help herself.

Dara watched it.

Religiously.

It was a habit of hers to keep the television running in the background while she worked. She liked the noise, the hum of familiar voices. It helped her anxiety. She especially liked the deliciously handsome head anchor of Good News, Christopher Steadfast, and the easygoing way he ended every episode with the words, “I’ll be waiting for you.”

Unfortunately, it had a weird time slot. Midafternoon, during the week, squeezed between the morning talk shows and the soap operas. Plus, it was an oddity in the world of live broadcasting in that it only focused on positive stories. Good news and human interest tales, like the two kids who donated proceeds of a lemonade stand to a homeless shelter, and Bucky, the vegan golden retriever.

Dara adored the segments on Bucky. She watched all of them, often on repeat, staying up late into the night, scrolling through all his reposted videos on the Good News New York Facebook fan page. In fact, the only reason she had even suggested going on Good News New York to begin with was for a chance at meeting the King of Aww himself. Though she was far too mired in her own busy schedule (and anxiety) to ever own a pet herself, she had adopted the quirky golden retriever in her heart.

As for Christopher Steadfast, it could never happen. And the reason it could never happen was right there in his name. Christopher Steadfast was not Jewish. As such, and thanks to a very clear rabbinic prohibition against interfaith marriage, she regarded the man the same way she would some beautiful non-Jewish Fabergé egg you passed by in a museum. Some-thing to gaze upon and admire…but never, ever touch.

She couldn’t believe she would be meeting him today. The dog, obviously.

Not the man.

She had no interest at all in some sexy Southern heartthrob with a voice that could melt schmaltz and the pectoral muscles of a Norse god.

Dara shook the thought away. Then, as her own ema, or mother, had taught her, she focused all her energy on dealing with practicalities.

She had Simi and Bobbi come back to the room, finish her hair and makeup. She did one final run-through of her sched-ule with Naveah. She had Cameron and Alexa double-check her bags at the front door, packing up her phone and tablet. Eventually, with well wishes and air kisses, Naveah and the entourage departed for the day. Normally, she would have someone from her staff accompany her to her events. But today, she wanted to focus on spending time with her grandmother.

Dara found herself alone in her apartment once more. She glanced down at her watch. She still had fifteen minutes left before she needed to head out to her bubbe’s. Fifteen minutes. It was a long time to sit around staring at the concrete walls of her apartment. Quiet was dangerous for Dara. It left her open to obsessing.

She moved to fill the space. She brushed her teeth again. Double-checked the bedroom, making sure the bed was made and everything was neat and tidy. She turned off her computer monitors and all the lights. She unplugged her coffee maker and double-checked the third bedroom for any hair straighteners or curling irons left plugged in. She made sure all the knobs on the oven were turned off, and that the patchouli candle was blown out. She pulled out her phone and snapped a photograph of both. Just in case her brain started obsessively worrying that she had left something on by mistake, and she was single-handedly responsible for burning down all of Hoboken.

Dara landed at the front door. Her eyes wandered down to her red high heels. She hated wearing heels in the city. Not for any practical reason, or because they gave her blisters. But because in case of emergency, the zombie apocalypse or an-other mass casualty event, she was worried about having to traverse sixty city blocks—or, God forbid, a bridge—to get back home.

She debated her options. She could pack her heels and wear sneakers for the commute, but that would require yet another bag for the simple day trip into Manhattan.

She hated that it had to be that way. That she couldn’t just be judged on who she was and what she created. Sadly, Dara was a realist. A huge part of her success in life had been understanding how the world works, and the way people inter-act with each other. Whether she agreed with it or not, first impressions were important. Like a shidduch sheet, or a profile on J-Mate, everybody went to the photo first.

Otherwise, she looked perfect. The house looked perfect, too. Perfection was the layer of armor she wore to protect her-self from the swings and swipes of an uncertain world.

She reminded herself of the positive. She was going to be spending the day with her beloved bubbe. They would be making important memories together. Necessary memories. Any anxiety she felt—any sense that something terrible was about to happen—was simply the neurons in her brain misfiring. Her feelings could not be trusted.

Forcing her shoulders back, and her chest upward, she projected confidence. And then, slinging her messenger bag over one arm, she grabbed that box of black-and-white cookies from the kitchen counter and headed out.



Excerpted from Mr. Perfect on Paper by Jean Meltzer, Copyright © 2022 by Jean Meltzer. Published by MIRA Books

Author Bio: 

Author Jean Meltzer studied dramatic writing at NYU Tisch, and served as creative director at Tapestry International, garnering numerous awards for her work in television, including a daytime Emmy. Like her protagonist, Jean is also a chronically-ill and disabled Jewish woman. She is an outspoken advocate for ME/CFS (Chronic Fatigue Syndrome), has attended visibility actions in Washington DC, meeting with members of Senate and Congress to raise funds for ME/CFS. She inspires 9,000 followers on WW Connect to live their best life, come out of the chronic illness closet, and embrace the hashtag #chronicallyfabulous. Also, while she was raised in what would be considered a secular home, she grew up kosher and attended Hebrew School. She spent five years in Rabbinical School. She is the author of The Matzah Ball and Mr. Perfect on Paper.

Social Links:

Author Website

Facebook: @JeanMeltzerAuthor

Instagram: @JeanMeltzer

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#BlogTour! On A Quiet Street by Seraphina Nova Glass

ON A QUIET STREET

Author: Seraphina Nova Glass

ISBN: 9781525899751

Publication Date: May 17, 2022

Publisher: Graydon House Books

A simple arrangement. A web of deceit with shocking consequences.

Welcome to Brighton Hills: an exclusive, gated community set against the stunning backdrop of the Oregon coast. Home to doctors, lawyers, judges--all the most upstanding members of society. Nothing ever goes wrong here. Right?

Cora's husband, Finn, is a cheater. She knows it; she just needs to prove it. She's tired of being the nagging, suspicious wife who analyzes her husband's every move. She needs to catch him in the act. And what better way to do that than to set him up for a fall?

Paige has nothing to lose. After she lost her only child in a hit-and-run last year, her life fell apart: her marriage has imploded, she finds herself screaming at baristas and mail carriers, and she's so convinced Caleb's death wasn't an accident that she's secretly spying on all everyone in Brighton Hills so she can find the murderer. So it's easy for her to entrap Finn and prove what kind of man he really is.

But Paige and Cora are about to discover far more than a cheating husband. What starts as a little agreement between friends sets into motion a series of events neither of them could have ever predicted, and that exposes the deep fault lines in Brighton Hills. Especially concerning their mysterious new neighbor, Georgia, a beautiful recluse who has deep, dark secrets of her own...

Read on for an excerpt from On A Quiet Street by Seraphina Nova Glass

ONE

Paige

Paige stands, watering her marigolds in the front yard and marvels at how ugly they are. The sweet-potato-orange flowers remind her of a couch from the 1970s, and she suddenly hates them. She crouches down, ready to rip them from their roots, wondering why she ever planted such an ugly thing next to her pristine Russian sage, and then the memory steals her breath. The church Mother’s Day picnic when Caleb was in the sixth grade. Some moron had let the potato salad sit too long in the sun, and Caleb got food poisoning. All the kids got to pick a flower plant to give to their moms, and even though Caleb was puking mayonnaise, he insisted on going over to pick his flower to give her. He was so proud to hand it to her in its little plastic pot, and she said they’d plant it in the yard and they’d always have his special marigolds to look at. How could she have forgotten?

She feels tears rise in her throat but swallows them down. Her dachshund, Christopher, waddles over and noses her arm: he always senses when she’s going to cry, which is almost all the time since Caleb died. She kisses his head and looks at her now-beautiful marigolds. She’s interrupted by the kid who de-livers the newspaper as he rides his bike into the cul-de-sac and tosses a rolled-up paper, hitting little Christopher on his back.

“Are you a fucking psychopath?” Paige screams, jumping to her feet and hurling the paper back at the kid, which hits him in the head and knocks him off his bike.

“What the hell is wrong with you, lady?” he yells back, scrambling to gather himself and pick up his bike.

“What’s wrong with me? You tried to kill my dog. Why don’t you watch what the fuck you’re doing?”

His face contorts, and he tries to pedal away, but Paige grabs the garden hose and sprays him down until he’s out of reach. “Little monster!” she yells after him.

Thirty minutes later, the police ring her doorbell, but Paige doesn’t answer. She sits in the back garden, drinking coffee out of a lopsided clay mug with the word Mom carved into it by little fingers. She strokes Christopher’s head and examines the ivy climbing up the brick of the garage and wonders if it’s bad for the foundation. When she hears the ring again, she hollers at them.

“I’m not getting up for you people. If you need to talk to me, I’m back here.” She enjoys making them squeeze around the side of the house and hopes they rub up against the poi-son oak on their way.

“Morning, Mrs. Moretti,” one of the officers says. It’s the girl cop, Hernandez. Then the white guy chimes in. She hates him. Miller. Of course they sent Miller with his creepy mustache. He looks more like a child molester than a cop, she thinks. How does anyone take him seriously?

“We received a complaint,” he says.

“Oh, ya did, did ya? You guys actually looking into cases these days? Actually following up on shit?” Paige says, still petting the dog and not looking at them.

“You assaulted a fifteen-year-old? Come on.”

“Oh, I did no such thing,” she snaps.

Hernandez sits across from Paige. “You wanna tell us what d id happen, then?”

“Are you planning on arresting me if I don’t?” she asks, and the two officers give each other a silent look she can’t read.

“His parents don’t want to press charges so…”

Paige doesn’t say anything. They don’t have to tell her it’s because they pity her.

“But, Paige,” Miller says, “we can’t keep coming out here for this sort of thing.”

“Good,” Paige says firmly. “Maybe it will free you up to do your real job and find out who killed my son.” Hernandez stands.

“Again, you know we aren’t the detectives on the—” But before Hernandez can finish, Paige interrupts, not wanting to hear the excuses.

“And maybe go charge the idiot kid for trying to kill my dog. How about that?”

Paige stands and goes inside, not waiting for a response. She hears them mumble something to one another and make their way out. She can’t restrain herself or force herself to be kind. She used to be kind, but now, it’s as though her brain has been rewired. Defensiveness inhabits the place where empathy used to live. The uniforms of the cops trigger her, too; it reminds her of that night, the red, flashing lights a nightmarish strobe from a movie scene. A horror movie, not real life. It can’t be her real life. She still can’t accept that.

The uniforms spoke, saying condescending things, pulling her away, calling her ma’am, and asking stupid questions. Now, when she sees them, it brings up regrets. She doesn’t know why this happens, but the uniforms bring her back to that night, and it makes her long for the chance to do all the things she never did with Caleb and mourn over the times they did have. It forces fragments of memories to materialize, like when he was six, he wanted a My Little Pony named Star Prancer. It was pink with purple flowers in its mane, and she didn’t let him have it because she thought she was protecting him from being made fun of at school. Now, the memory fills her with self-reproach.

She tries not to think about the time she fell asleep on the couch watching Rugrats with him when he was just a toddler and woke up to his screaming because he’d fallen off the couch and hit his head on the coffee table. He was okay, but it could have been worse. He could have put his finger in an outlet, pushed on the window screen and fallen to his death from the second floor, drunk the bleach under the sink! When this memory comes, she has to quickly stand up and busy herself, push out a heavy breath, and shake off the shame it brings. He could have died from her negligence that afternoon. She never told Grant. She told Cora once, who said every parent has a moment like that, it’s life. People fall asleep. But Paige has never forgiven herself. She loved Caleb more than life, and now the doubt and little moments of regret push into her thoughts and render her miserable and anxious all the time.

She didn’t stay home like Cora, she practically lived at the restaurant. She ran it for years. Caleb grew up doing his homework in the kitchen break room and helping wipe down tables and hand out menus. He seemed to love it. He didn’t watch TV all afternoon after school, he talked to new people, learned skills. But did she only tell herself that to alleviate the guilt? Would he have thrived more if he had had a more nor mal day-to-day? When he clung to her leg that first day of preschool, should she have forced him to go? Should he have let him change his college major so many times? Had he been happy? Had she done right by him?

And why was there a gun at the scene? Was he in trouble, and she didn’t know? Did he have friends she didn’t know about? He’d told her everything, she thought. They were close. Weren’t they?

As she approaches the kitchen window to put her mug down, she sees Grant pulling up outside. She can see him shaking his head at the sight of the cops before he even gets out of the car.

He doesn’t mention the police when he comes in. He silently pours himself a cup of coffee and finds Paige back out in the garden, where she has scurried to upon seeing him. He hands her a copy of the Times after removing the crossword puzzle for himself and then peers at it over his glasses.

He doesn’t speak until Christopher comes to greet him, and then he says, “Who wants a pocket cookie?” and takes a small dog biscuit from his shirt pocket and smiles down at little Christopher, who devours it.

This is how it’s been for the many months since Grant and Paige suffered insurmountable loss. It might be possible to get through it to the other side, but maybe not together, Paige said to Grant one night after one of many arguments about how they should cope. Grant wanted to sit in his old, leather recliner in the downstairs family room and stare into the wood-burning fireplace, Christopher at his feet, drinking a scotch and absorbing the quiet and stillness.

Paige, on the other hand, wanted to scream at everyone she met. She wanted to abuse the police for not finding who was responsible for the hit-and-run. She wanted to spend her days posting flyers offering a reward to anyone with information, even though she knew only eight percent of hit-and-runs are ever solved. When the world didn’t respond the way she needed, she stopped helping run the small restaurant they owned so she could just hole up at home and shout at Jeopardy! and paper boys. She needed to take up space and be loud. They each couldn’t stand how the other was mourning, so finally, Grant moved into the small apartment above their little Italian place, Moretti’s, and gave Paige the space she needed to take up.

Now—almost a year since the tragic day—Grant still comes over every Sunday to make sure the take-out boxes are picked up and the trash is taken out, that she’s taking care of herself and the house isn’t falling apart. And to kiss her on the cheek before he leaves and tell her he loves her. He doesn’t make observations or suggestions, just benign comments about the recent news headlines or the new baked mostaccioli special at the restaurant.

She sees him spot the pair of binoculars on the small table next to her Adirondack chair. She doesn’t need to lie and say she’s bird-watching or some nonsense. He knows she thinks one of the neighbors killed her son. She’s sure of it. It’s a gated community, and very few people come in and out who don’t live here. Especially that late at night. The entrance camera was conveniently disabled that night, so that makes her think it wasn’t an accident but planned. There was a gun next to Caleb’s body, but it wasn’t fired, and there was no gunshot wound. Something was very wrong with this scenario, and if the po-lice won’t prove homicide, she’s going to uncover which of her bastard neighbors had a motive.

She has repeated all of this to Grant a thousand times, and he used to implore her to try to focus on work or take a vacation—anything but obsess—and to warn her that she was destroying her health and their relationship, but he stopped responding to this sort of conspiracy-theory talk months ago.

“What’s the latest?” is all he asks, looking away from the binoculars and back to his crossword. She gives a dismissive wave of her hand, a sort of I know you don’t really want to hear about it gesture. Then, after a few moments, she says, “Danny Howell at 6758. He hasn’t driven his Mercedes in months.” She gives Grant a triumphant look, but he doesn’t appear to be following.

“Okay,” he says, filling in the word ostrich.

“So I broke into his garage to see what the deal was, and there’s a dent in his bumper.”

“You broke in?” he asks, concerned. She knows the How-ells have five vehicles, and the dent could be from a myriad of causes over the last year, but she won’t let it go.

“Yes, and it’s a good thing I did. I’m gonna go back and take photos. See if the police can tell if it looks like he might have hit a person.” She knows there is a sad desperation in her voice as she works herself up. “You think they can tell that? Like if the dent were a pole from a drive-through, they could see paint or the scratches or something, right? I bet they can tell.”

“It’s worth a shot,” he says, and she knows what he wants to say, also knows he won’t waste words telling her not to break into the garage a second time for photos. He changes the subject.

“I’m looking for someone to help out at the restaurant a few days a week—mostly just a piano player for the dinner crowd—but I could use a little bookkeeping and scheduling, too,” he says, and Paige knows it’s a soft attempt to distract her, but she doesn’t bite.

“Oh, well, good luck. I hope you find someone,” she says, and they stare off into the backyard trees.

“The ivy is looking robust,” he comments after a few minutes of silence.

“You think it’s hurting the foundation?” she asks.

“Nah,” he says, and he reaches over and places his hand over hers on the arm of her chair for a few moments before getting up to go. On his way out, he kisses her on the cheek, tells her he loves her. Then he loads the dishwasher and takes out the trash before heading to his car. She watches him reluctantly leaving, knowing that he wishes he could stay, that things were different.

When Paige hears the sound of Grant’s motor fade as he turns out of the front gate, she imagines herself calling him on his cell and telling him to come back and pick her up, that she’ll come to Moretti’s with him and do all the scheduling and books, that she’ll learn to play the piano just so she can make him happy. And, after all the patrons leave for the night, they’ll share bottles of Chianti on checkered tablecloths in a dimly lit back booth. They’ll eat linguini and clams and have a Lady and the Tramp moment, and they will be happy again.

Paige does not do this. She goes into the living room and closes the drapes Grant opened, blocking out the sunlight, then she crawls under a bunched-up duvet on the couch that smells like sour milk, and she begs for sleep.



Excerpted from On A Quiet Street by Seraphina Nova Glass, Copyright © 2022 by Seraphina Nova Glass. Published by arrangement with Harlequin Books S.A.

Social Links:

Author Website

Twitter: @SeraphinaNova

Facebook: Seraphina Nova Glass: Author

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Author Bio: 

Seraphina Nova Glass is a professor and playwright-in-residence at the University of Texas, Arlington, where she teaches film studies and playwriting. She holds an MFA in playwriting from Smith College, and she's also a screenwriter and award-winning playwright. Seraphina has traveled the world using theatre and film as a teaching tool, living in South Africa, Guam and Kenya as a volunteer teacher, AIDS relief worker, and documentary filmmaker.